Kupfer
Skip to main content
  • Menu
  • Editions
  • Exhibitions
  • Residencies
  • Viewing rooms
  • 213
  • Press
  • About
Cart
0 items £
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

I'll Be Your Mirror: Abi Ola

Past viewing_room
25 February - 18 March 2023
  • I’ll Be Your Mirror

    A solo exhibition with Abi Ola curated by Penelope Kupfer
  • if mama

    could see

    she would see   

    lucy sprawling   

    limbs of lucy

    decorating the

    backs of chairs

    lucy hair

    holding the mirrors up   

    that reflect odd   

    aspects of lucy.

     

    Lucille Clifton

    For its next solo show, Kupfer is turning into a living room. Complete with chairs, curtains, lampshade, mirror, flower vase and table, Abi Ola invites us into her private world of patterns and portraits. Through a compulsive use of emojis, traditional West African fabrics, photography and British floral designs, Abi Ola’s works are a collection of personal chapters on identity, self-preservation, familial connections and pictographic forms of communication. Her paintings, textiles and sculptures rely on the relationship between shape and colour, from which she creates complex rhythmic structures drawing on simple, systematically repeated patterns. However, in her case, repetition does not function as a study or a tool used for emphasis or depuration purposes, but as a form of distortion or distraction.

     

    Having to navigate the world from a place of neurodiversity, Abi’s practice reflects her need and desire to welcome people into her private sphere whilst also protecting herself. Her most recent works resort to the repeated use of mirrors and metallic materials. Mirrors are both reflecting and distracting; we look at them as an attempt to decipher the many ways our selves are shaped by internal and external forces, revealing the unavoidable juxtaposition between our self-image and the gaze of others. Her work invites the viewer to engage with her choice of reflective materials as if by saying, in no particular order: don’t look at me, look at you, or don’t look at you, look at me. We see the mirror, and the mirror sees us.

  • Installation views

    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
  • In her photographic self-portraits and moving image works, Abi often appears eating in patterns – sometimes bananas, sometimes marshmallows. The...
    Abi Ola
    Bouquet 1, 2022
    Oil, oil pastels, screen print, spray paint, and fabrics on canvas
    160 x 110 cm

    In her photographic self-portraits and moving image works, Abi often appears eating in patterns – sometimes bananas, sometimes marshmallows. The photos are taken by the artist’s sister in her garden, bedroom or living room. “Taking photographs at home is also a way for me to invite the viewer into my world and private space, while also keeping them at a distance using the filter of the camera”, she says. There are many different ways in which Abi’s family is brought into the work. She often uses photos of her aunt and female  family friends as references for her paintings. In Bouquet 1 and Bouquet 2 (2022), the floral designs are inspired by dresses worn by her mother. Different patterns represent different family members and their personalities. Finding patterns or archetypes within the family becomes another means of examining the constantly reflective aspect of our understanding of the self. 

     
  • Abi’s figures are mostly faceless, sometimes they even appear to be headless, such as in Reflective Hands and Feet (2022)....
    Abi Ola
    Reflective Hands and Feet, 2022
    Oil, oil pastels, acrylic, fabrics, and screen print on canvas
    60 x 60 cm

    Abi’s figures are mostly faceless, sometimes they even appear to be headless, such as in Reflective Hands and Feet (2022). “I want the viewer to see themselves in them”, she explains. However, despite the surfacing of many faceless textile figures in her works, there is no shortage of faces in Abi’s practice: screen-printed emojis invariably populate her signature patterns. Emojis are translated emotions. They contribute to the semantic content of our digital messages by helping us communicate in a simple, easily conveyable way. However, the outsourcing of our emotions to tiny yellow faces can also be a form of deflection; emojis are echo-makers, often trapping us in repetition and distortion, or likes and unlikes.

     
  • Good mirrors are not cheap, says Audre Lorde, it is a waste of time hating a mirror or its reflection.¹ By lining the gallery with canvas and turning her world of patterns back onto us, the artist invites us to face up to our own image in her portraits and living room. Whilst the echo of emojis cannot but distract the message, the mirror distorts the image – hers, her subjects’ and ours. Abi Ola could be hiding behind her mirrors but she is also reflecting outwards. 

     

    ¹ Audre Lorde, “Good Mirrors are Not Cheap” (1970) from The Collected Poems of Audre Lorde, 2000

     
    • Abi Ola, A Look Into the Mirror, 2022
      Abi Ola, A Look Into the Mirror, 2022
      View more details
    • Abi Ola, Silver Hands, 2023
      Abi Ola, Silver Hands, 2023
      View more details
    • Abi Ola, Emerging Head, 2023
      Abi Ola, Emerging Head, 2023
      View more details
    • Abi Ola, Bathing, 2023
      Abi Ola, Bathing, 2023
      View more details
    • Abi Ola, Bouquet 1, 2022
      Abi Ola, Bouquet 1, 2022
      View more details
    • Abi Ola, Bouquet 2, 2022
      Abi Ola, Bouquet 2, 2022
      View more details
    • Abi Ola, Reflective Hands and Feet, 2022
      Abi Ola, Reflective Hands and Feet, 2022
      View more details
      Sold
    • Abi Ola, Walking Through Weeds, 2022
      Abi Ola, Walking Through Weeds, 2022
      View more details
    • Abi Ola, Dancing Woman, 2023
      Abi Ola, Dancing Woman, 2023
      View more details
    • Abi Ola, Silver Statue 1, 2022
      Abi Ola, Silver Statue 1, 2022
      View more details
    • Abi Ola, Silver Statue 2, 2022
      Abi Ola, Silver Statue 2, 2022
      View more details
    • Abi Ola, The Golden Hour 1, 2022
      Abi Ola, The Golden Hour 1, 2022
      View more details
    • Abi Ola, The Golden Hour 2, 2022
      Abi Ola, The Golden Hour 2, 2022
      View more details
    • Abi Ola, Black and White Series Flowers, 2023
      Abi Ola, Black and White Series Flowers, 2023
      View more details
    • Abi Ola, Colourful Series Flowers, 2023
      Abi Ola, Colourful Series Flowers, 2023
      View more details
    Close
  • Abi Ola, Patterns in my living room, 2021 - 2023
  • About the artist

    Abi Ola (b. 1996, London) is an artist living and working in London. She graduated with an MFA from the Slade School of Fine Art (2021), and has a BFA from Goldsmiths (2019). She was recently granted the New Contemporaries Award 2022. Her solo shows include Kaleidoscopic Bodies (2022) at Frans Kasl Projects, in Eindhoven, Netherlands, and All Are Gone The Old Familiar Faces (2022) at Flatland Projects, Bexhill-on-Sea, UK. She had a group exhibition at Rawlinson & Hunter alongside the Ingram Prize alumni, and a group show at Christie’s, London, as part of the Good Eye Projects Residency, both in 2022. 

     

Kupfer                 

Unit 5,  The Textile Building,

2a Belsham Street, 

E9 6NG, London
United Kingdom

contact@kupfer.co

 

Terms & Conditions

Contact

 

 

Facebook, opens in a new tab.
Instagram, opens in a new tab.
Artsy, opens in a new tab.
Join the mailing list
Manage cookies
Copyright © 2023 Kupfer
Online Viewing Rooms by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences